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Word: ludmilla (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Everybody needed a bath and a haircut"; "Russians put a premium on brains"; "a warm, affectionate people"). Through all her copy ran familiar Landers material: "Ivan is worried about Irena's supervisor at the furniture factory. He has heard rumors-and she has been coming home quite late." "Ludmilla and Serge are in love and want to get married, but they must wait at least two years for an apartment. Elina has a lecherous boss. Igor hates his mother-in-law." At divorce hearings in Moscow's city court, "the next case was Nicolai Petrovitch against Valentina Petrovitch...

Author: /time Magazine | Title: The Press: Red-Eyed Woe | 10/5/1959 | See Source »

Members of the tour will attend the three main concerts this weekend. On Friday evening, Pierre Monteux will conduct the Boston Symphony in a program composed of selections from Glinka's "Russlan and Ludmilla;" Tchaikovsky's Fourth Symphony; the Overture to Milhaud's "Les Eumenides," Debussy's "Three Nocturnes," and Ravel's "La Valse...

Author: NO WRITER ATTRIBUTED | Title: Tanglewood Trip Departs Friday At Thayer Gate | 7/24/1958 | See Source »

...those who may be worried about the decline in the quality of Russian movies, here is great news. Ludmilla Gurchenko has turned in another outstanding performance, this time in her recent musical comedy, Carnival, which is currently filling the bill at the Brattle...

Author: By Edmund B. Games jr., | Title: Carnival | 4/14/1958 | See Source »

Arriving at the Paris Opéra for the French premiere of Tales of Hoffmann, French Ballerina Ludmilla Tcherina, one of the film's starring dancers, struck some new fashion notes: a diamond bauble pasted on her forehead, a small blue feather dove on each of her bared shoulders...

Author: /time Magazine | Title: People: On the Go | 7/2/1951 | See Source »

...excellent for the role. Most of the other voices are dubbed in, however, with generally good results. The dancing in "Tales of Hoffmann" is all good, but it suffers by being fragmented; Frederick Ashton's choreography consists chiefly of short interludes, beautifully danced by Moira Shearer, Leonide Massine, Ludmilla Tcherina, Robert Helpmann, and the Sadler's Wells Chorus. Miss Shearer's best work is shown in the "Dragonfly Ballet" of the prologue, and in the automaton's dance of Act I. Helpmann appears successively as Lindorf, Coppelius, Dappertutto, and Dr. Miracle--Hoffmann's magnificently sinister enemy. He turns up unexpectedly...

Author: By Stephen O. Saxe, | Title: The Moviegoer | 4/9/1951 | See Source »

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