Word: lovering
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Dates: during 1900-1900
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...Pontbichet" deserves a good deal of praise for his clever acting in both farces. A. Champollion '02 did some good work in "Un Jeune Homme Presse" and was fairly efficient in the first play. Although W. D. Haviland '02 has a difficult part in "Dardard," the excitable young lover, he fills the role well with very little overacting. The minor parts in "Crispin" were mostly well taken. L. D. Koven '04, especially, was amusing and true to life. The costumes of the men were suitable and good, but the dresses of the women were ill fitting and should be altered...
...Aposties' Creed is praised because it is a statement of facts; but the facts need to be shown as having a spiritual import. The Father must not mean Creator merely, but the Righteous Friend and Lover of men, the source of all beneficence. The position we claim for the Son must not be so much a metaphysical as a moral supremacy. The old creeds, if moral interpretation be given them, even the Athanasian Creed may be used for the support of a moral and social faith. Coming to the Confessions of the Reformation period, we must understand their watchword, "Faith...
...LOVER OF BEAUTY...
...Holmes '02, as "Antonio," the hero and lover of the play, takes the principal part with great success. As an enterprising lower and brave swordsman his earnestness of manner is very natural and pleasing. The part of "Bustopha," one of the funniest of Fletcher's creations, is taken by J. G. Brackett '01 in an exceptionally entertaining manner. In the female roles, W. C. Arensberg '00 makes a serious and charming "Ismenia." Femininity--a somewhat impossible trait perhaps--is slightly lacking in the other female characters...
...grouped. Throughout the play the character of Viola predominates. Although she is the type of modesty and gentleness, her character has an underlying force which makes itself felt at all times, and it is she who is able to study and control the fickle nature of the Duke, her lover...