Word: lives
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Dates: during 1960-1969
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...knows quite what to do. The Rolling Stones are on stage in person live right there a part of our collective fantasy life, and now that real figures confront us there doesn't seem to be anything we can say. Back before the Mothers, before Hendrix, way back before the Who, we used to shriek. No one shrieks. We stare...
...much of the Stones instrumental excitement only because Richard does the important rhythm work himself in the Jones style. But Mick Taylor, who may be nice for John Mayall, can't hold his own, and the result is Richard's easy domination of many of the songs. All the live pieces that depended on twin guitar work-"Sympathy for the Devil," "Stray Cat Blues," and "Street Fighting Man" -were driving but instrumentally rather dull...
...Freddie Hampton, because he wouldn't have wanted us to cry. He would have wanted us to pick up a gun and intensify the struggle. He didn't die in vain, because he knew that if you've got nothing to die for, you've got nothing to live for either." Miss Jones said...
Brady obviously has quite a bit to live up to, but his alleged larceny may have given him a good start. And his statements to the press last month, upon his return showed that he has some claim for canonization...
...essay, "Towards a Poor Theatre," Grotowski calls for a theatre devoid of theatrical apparatus and full of human contact. That means the replacement of sets, costumes, lighting, and make-up with a total emphasis on "the actor-spectator relationship of perpetual, direct, live' communion." Grotowski wants, of all things, to give the theatrical experience back to the people who are actually in the theatre when the performance takes place-that is, the actors and the audience, period. In such a "Pour Theatre." not only will the designers and stagehands be eliminated, but so will the playwright. Grotowski sees all theatrical...