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The station courts a "different" kind of listener--the devotees of esoteric classical, jazz and underground rock music.

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Music for the Masses? | 10/5/1998 | See Source »

Because the station is non-profit, there is less pressure to placate every listener's tastes.

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Music for the Masses? | 10/5/1998 | See Source »

One listener wrote from Sunnyside, N.Y., urging the station to broadcast theirprograms on the Internet: "WHRB would provide animmensely valuable service to classical musiclovers all over the country--and beyond." Vasantold The Crimson that "the possibility [ofbroadcasting via the Internet] is very real,hopefully in the near future," but would...

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Music for the Masses? | 10/5/1998 | See Source »

The same listener also criticized "the mindlessand superficial `Top 40' type of programming whichhas become more and more the norm and erodedprogramming standards to the point where FMclassical music has become a wasteland ofrepetition, predictability, excerpts, warhorses bya handful of overly familiar composers, andsystematic neglect of the vast treasures ofrecorded...

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Music for the Masses? | 10/5/1998 | See Source »

Chris Isaak's latest landscape, Speak of the Devil, seems like familiar territory. It uses some very well-travelled roads, yet manages to not make it very far. You can feel the gears shift as the music gets louder or picks up the tempo, but somehow you aren't making...

Author: NO WRITER ATTRIBUTED | Title: S O U N D A D V I C E | 10/2/1998 | See Source »

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