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The merits of that progression are, of course, questionable. Depeche Mode walks a thin line between being innovative and inane. Sometimes, the synthesized noises sound untempered. Embedded in the songs are sounds of cars screeching, giant coins spinning, undersea environments, etc. The Band can do some very weird things--a...

Author: By Eliot Schrefer, CONTRIBUTING WRITER | Title: A Decade of Depeche: Rarely In Fashion | 10/30/1998 | See Source »

The album begins in horror-like style with "Anthropod." This track begins with an interesting array of soft, slow drums, a soothing bass line and quiet samples. The song then releases a sudden onslaught of unconventional guitar riffs and loud synthesized noises, ranging from a ticking clock to the sound...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

At this point, the most unexpected aspect of the entire album occurs: the CD changes from track one to track two without any delineation. "Anthropod" plays continuously, and at an indiscriminate moment, the four-minute quiet interlude becomes "Phantom Limb." There is no silence between songs, nor a change in...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

Experiment Below exhibits another limiting pattern, as the order of the songs on the album is as symmetrical and methodical as an assembly line. Ironically, the straight jacket of conventional patterns ultimately subverts the intrinsic randomness of Hovercraft's musical style. Experiment Below has a frighteningnumber of similarities with a...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

Lafler said it is up to the listener tointerpret the music, which he calledunconventional.

Author: By Elizabeth N. Dewar, CONTRIBUTING WRITER | Title: Linguistics Prof. Keeps on Rockin' | 10/29/1998 | See Source »

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