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The nine-minute opener, “SZ2,” exemplifies this musical heterogeneity—after beginning with a background of quietly moody lo-fi strings, a heavily compressed guitar enters and begins to accumulate a steady rhythm that becomes set off by the inclusion of a tambourine...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/19/2004 | See Source »

This long composition is followed by the album’s shortest tracks, which again show this rapid shifting of genres: “TRAS3,” containing heavily echoed psych guitars that with a little more echo could potentially be the moody background to a Tool song, puts...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/19/2004 | See Source »

This duo is followed by the longest and most intriguing piece, “BTTLS.” The song plays with the creation of mood and space via Neubaten-like organically metallic acoustic-industrial sounds, the violation of this space’s rules through rapidly repeating and panned...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/19/2004 | See Source »

During these forceful interludes, the entire band would scream and howl while jumping around and pounding the stage—obviously designed to make more sense while wearing animal costumes, but effective nonetheless. Overall, the Collective produced a triumphant, celebratory sound that produced a ritualistic exhilaration that invited the listener...

Author: By Jim Fingal, CONTRIBUTING WRITER | Title: Animal Collective Draws Herds | 11/12/2004 | See Source »

Upon his departure from the acclaimed indie-rock group Tarentel, William Montgomery adopted the Lazarus persona and let his personal styling flow onto CD. Like Trees We Grow Up to be Satellites is less emotionally uncomfortable to the listener than his first album, both lyrically and melodically signaling yet another...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/5/2004 | See Source »

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