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“Spirit They’ve Gone, Spirit They’ve Vanished,” Animal Collective’s debut album, stands as a testament to the band’s penchant for wild, digital tones, both stretched thin as paper and heaped on each other...

Author: By Evan C. Hanlon, CONTRIBUTING WRITER | Title: Feels | 10/27/2005 | See Source »

Read your article [Scoop A. Wasserstein’s “David Lynch Meditates on Peace”] off the internet last night. You got some great quotes there and the piece moved along nicely. I liked it. Good journalism! —Ken Chawkin, Media Relations, Maharishi University...

Author: NO WRITER ATTRIBUTED | Title: Letters To Arts | 10/13/2005 | See Source »

“Good Is Good” begins by telling the listener that “Good is good and bad is bad and you don’t know which one to have.” Wow, that is so profound. You analyze your love problems so well...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Sheryl Crow | 10/13/2005 | See Source »

Nebraska-born bassist Marc Johnson emerged in the 1970s, playing with piano legend Bill Evans. Since then he has served as a steady if largely overlooked sideman in numerous small groups. On this album, only his third as a bandleader, Johnson slides contentedly into the backseat, allowing the other members...

Author: /time Magazine | Title: Music: 5 CDs That Really Swing | 10/9/2005 | See Source »

Racing frantically along like a Nordic horse under the light of Nick Drake’s “Pink Moon,” the opening track, “Slow Moves,” paradoxically features some of the most driving guitar work of the album, pulling the listener...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

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