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The radio listener saw nothing: he had to use his imagination. It was possible for each individual to enjoy the same program according to his intellectual level and his mental capacity. With the high cost of living and the many problems facing him in the modern world, all the poor...

Author: /time Magazine | Title: Essay: Radio: The Coliseum of Nostalgia | 1/7/1974 | See Source »

It would be a mistake to consider all of these programs classics - even of nostalgia. Radio drama was never with out deep and regrettable flaws. Homilies passed for wisdom; exposition could be ungainly. Caricature and stereotypes were the order of the broadcasting day, from Tonto's "Kemo Sabe" to...

Author: /time Magazine | Title: Essay: Radio: The Coliseum of Nostalgia | 1/7/1974 | See Source »

Quadrophenia is much more luced. Just as it addresses itself to the rock in "rock opera," it draws on a readily recognizable context: the Mod-Rocker wars of the middle sixties. From which wars sprung The Who, among many. While Tommy's hollow symbolism may have destroyed its viability, Quadrophenia...

Author: By Freddy Boyd, | Title: Quadrophenia: Townshend Redux | 12/13/1973 | See Source »

A dinner in the State Dining Room with 25 Democratic Congressmen, mostly from the South, was no smashing success either. One listener described Nixon as "taut and extremely tense, gesturing wildly." North Carolina's Ike Andrews found Nixon relaxed and jovial but the situation awkward. Said he: "We were guests...

Author: /time Magazine | Title: THE CRISIS: The Secretary and the Tapes Tangle | 12/10/1973 | See Source »

In an amplifier, power and distortion are the two most important qualities. A system that will be used for raucus parties needs power (your listeners will probably attribute the distortion to something else). The classical music listener needs low distortion. The primary technical problem in designing an amplifier is to...

Author: By Mark J. Penn, | Title: Your Stereo Is Only As Good as the Speakers | 12/8/1973 | See Source »

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