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Complex Stuff. His opinions were simplistic, if pungently stated. "I don't mind dictatorships abroad provided they are pro-American," he told a gathering in London. He also called détente a "highfalutin word. They ought to say 'get-together.' While we have so-called d...

Author: /time Magazine | Title: DEMOCRATS: Turning On the Charm in Europe | 10/27/1975 | See Source »

Amorpha, Fugue in Two Colors, 1912, was certainly the first abstract painting to be exhibited in Paris. Some of his big abstracts from the '20s, like Around a Point, must be reckoned among the most imposing feats of modern art. And yet the fundamental subject of his work remains...

Author: /time Magazine | Title: Art: Catching the Astral Plane | 10/13/1975 | See Source »

The only failures on Prisoner in Disguise are two tedious songs by John David Souther, who apparently thinks that if you make a song long, slow, and wordy, people will think it's profound or at least sensitive. But these two--"Silver Blue" and the title song--are simply boring...

Author: By Steve Chapman, | Title: Talent Undisguised | 9/30/1975 | See Source »

Plath reads her poems with a relentless intensity. She seems to hurl her words at the listener, each elegantly rounded vowel like a trajectory for a gunshot-sharp consonant. Just as she tried in her poetry to use her craft and skill to "manipulate intense personal experience"--as she says...

Author: By Natalie Wexler, | Title: The White Heat of Plath's Voice | 9/26/1975 | See Source »

And it's hard to tell exactly which side Berio is on. Despite the fragmented quality of much of his writing and his preoccupation with electronics, he remains a surprisingly lyrical composer. Paula Robinson, who directed a recent Harvard Chamber Players performance of Differences, likened Berio to "a troubadour being...

Author: By Joseph Straus, | Title: A Troubador Beset by Machines | 8/15/1975 | See Source »

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