Word: lionhearted
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Dates: during 1970-1979
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...favorite, very broadly, with an almost farcical glee. As "the family nothing," nicknamed a "walking pustule" by his brother Richard, Sherman gets to deliver such prize lines as "You turd." and "You're a stinker and you stink." In contrast to Sherman's comic posturing, Eric Luftman acts Richard Lionheart, Eleanor's darling, with straight-faced sobriety. Whether stiffly demanding his rights or reviling the rest of the family, he is a model of sullen, subdued rage. In between is Geoffrey (Jon Goerner), all "cogs and gears," the son nobody loves. Goerner, playing another in a long line of slimy...
Such insights help tide them over some of life's disappointments. Certainly the Crusades, which have consumed nearly 20 years of the pair's life when the film opens, were not all they should have been, and when the mad, majestic Richard Lionheart finally dies, Robin and Little John leave France with no regrets, riding north for England and Sherwood Forest. There, everything seems familiar. Robin and Little John come upon Friar Tuck and Will Scarlett, who are hunting deer in the forest. Now Richard's brother John is King, and their old adversary, the sheriff, still...
Almost everyone involved with Robin and Marian could be a champion. One thinks immediately of the model supporting cast: Richard Harris as Richard Lionheart, Denholm Elliott as Will Scarlett, Ian Holm as King John, Kenneth Haigh as the duplicitous Sir Ranulf. There is also the ravishing cinematography of David Watkin, who makes Sherwood into a forest well suited to legend. Particularly there is Sean Connery's Robin Hood, Nicol Williamson's Little John, Robert Shaw's winter-eyed Sheriff, Audrey Hepburn's Maid Marian-and Richard Lester, a film maker of deft wit and frequent brilliance...
THEATRE OF BLOOD is the giddy tale of a sugar-cured Shakespearean actor named Edward Lionheart (Vincent Price) who sets out to eliminate the London critics who have mocked and vilified him during his career. He kills each of them in a quite elaborate and grisly fashion, every slaughter based on a scenario provided by the Bard: one hapless critic, for example, has his heart cut out (the pound of flesh in The Merchant of Venice), another is stabbed to death on the Ides of March. Worst torture of all, perhaps, is that the poor struggling wretches must listen...