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...flash, a chunk of bloody flesh hits the wall. The beauty of all this is that we are given hints of a story without ever being let in on what it's all about. We identify the borrowed horror techniques, like inside jokes, but are kept at arm's length from the world of passions these techniques were meant, at some point, to arouse...

Author: By John Dewis, CONTRIBUTING WRITER | Title: An Uncanny Knack | 2/25/2000 | See Source »

...sometimes he gets his hands on a cold one. It is a constant source of disappointment to us, as well it should be. Another example is our bulging mail bags feature. We are ashamed to admit it, dear reader, but we do occasionally edit letters for length and legal purposes. If fm were truly a sincere publication, would we not have made you aware of this caveat long...

Author: By Victoria C. Hallett and Kirsten G. Studlien, S | Title: Fifteen Minutes: I am the Very Model | 2/24/2000 | See Source »

...Once on the team, the Abercrombie players have to aspire to a certain look outlined in a 15 page, five-by-five pamphlet, known as the iLook Book.i Before workers sign on, they usually peruse the book, agreeing to conform to its appearance standards, ranging from length of shorts to types of jewelry...

Author: By Angela Marek, | Title: Fifteen Minutes: The Beautiful and the Damned: Enforcing 'the look' at Abercrombie & Fitch | 2/24/2000 | See Source »

...iGirls had to have shorts above a certain length,i Gomes remembers. iIf you didnit come in with a certain pair of sandals from J.Crew, theyid force you to go home. When I left, they were implementing the New Balance rule, forcing us to buy expensive silver tennis shoes. Just the other day, I went into the Harvard square store and I saw all the guys wearing the same shoes and thought, eI hate this place.ii...

Author: By Angela Marek, | Title: Fifteen Minutes: The Beautiful and the Damned: Enforcing 'the look' at Abercrombie & Fitch | 2/24/2000 | See Source »

...opening song of Aimee Mann's first full-length album in five years ponders the eternal question: "How Am I Different?" Anyone who has listened to her previous albums, and now this masterpiece, knows the answer. First (and foremost), Mann's songwriting manages to capture emotion at its most intense and set it to a beautiful yet powerful melody. Critically lauded but largely commercially underappreciated, Mann's music is very album-oriented, with no one song standing out as an obvious "single." Rather, all of the songs fit together to form the complex latticework of emotions that runs throughout Bachelor...

Author: By Andrew P. Nikonchuk, | Title: Album Review: Bachelor No. 2 by Aimee Mann | 2/18/2000 | See Source »

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