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Word: leland (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

With his Three Sisters. Leland Moss takes some very large first steps (particularly considering he has had two months, not seven years, with his actors) toward achieving Grotowski's total "Poor Theatre...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...Three Sisters , which opened on the Loeb mainstage Thursday night. As I entered the theatre, I was just not in any condition to function as a journalist: I was physically exhausted and emotionally pre-occupied. In this context, maybe you can understand how remarkable it is to me that Leland Moss's production of the Chekhov play not only kept me awake for its entire three-and a-quarter hour duration-but sometimes even succeeded in making me forget everything else except what the actors on stage were giving to the audience...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...Leland Moss, director of Chekhov's The Three Sister, which opened last night at the Locb, is a last-term senior at Harvard. He and his company have been rehearsing the play for two months, in an attempt to discover new conceptions of theatre on a university level. Sarah Hyde, who was acting with the Royal Shakespeare Company for the past two years, attended many of these rehearsals and has interviewed the director in the hope that those who see the production will be more informed as to its basic aims...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...Leland Moss's production of The Three Sisters Will be reviewed in tomorrow's CRIMSON...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...LELAND Moss: When I first came to Harvard, the standard of success generally depended upon a polished, finished production. There was great emphasis on everything being "set," that is, completely established by opening night- claborate costumes, lighting and all sorts of peripheral, so called theatrical effects were deemed essential for a show to succeed...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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