Word: languishes
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Dates: during 1960-1969
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...Monday nights, the Advocate Board gathers about a rough-hewn, medieval table in the Sanctum, slouching in the grand wooden chairs with these mottoes carved in them, and talks about its own survival. Our emotions languish with the seasons, because there is seldom any heat in the building; during the winter, we huddle in our overcoats about the table (many choose to wear gloves and hats) or crouch like Milton's toad before the fireplace, burning old issues of The Advocate to keep warm. Exalted, we are artists, suffering through the cold moment of neglect. Our words perish...
...occasionally wonder if Vonnegut's writing will lose its appeal a few ages hence. Certainly life will continue to become even more complex and our minds will want to identify that this is happening to us. But will people drift out of the particular absurdities they now languish in and start speaking in a new idiom different from the one Vonnegut's characters used to speak? And would such an occurrence make the then readers unable to recognize the truth in the writing and hence not laugh? Well, fundamentally I believe that it is the cliches that will never change...
Like nearly all Soviet intellectuals, Sakharov bitterly attacks the trial of Writers Andrei Sinyavsky and Yuli Daniel, which he says "has been condemned by the progressive public in the Soviet Union and abroad and has compromised the Communist system. These two writers languish in a camp with a strict regime and are being subjected (especially Daniel) to harsh humiliations and ordeals...
...author's tone does not support this; it is so obvious that it doesn't support anything. It may also be argued that this is all part of a subtle master plan, as when novels are made boring to prove that the exquisitely bored characters that languish in them really find life boring. The danger in such cases is that one original, strikingly phrased thought could spoil the whole book. That pitfall has been avoided here...
...native language than the small but heady French repertory. Its best composers, from Rameau to Poulenc, created music that wraps itself tightly around every inflection of the spoken word. Without French-born singers who can respond instinctively to the language embedded in the music, French opera is likely to languish-which is just what has been happening at New York's Metropolitan...