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Word: kurt (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Carmen, Traviata-plus Kurt Weill's Street Scene and a new production of The Mikado. The very variety of the season, he thinks, is a tribute to an audience that cheerfully accepts City Center's small-scaled, tightly budgeted productions. "I don't have to do all the work for this audience," says he. "They don't want just to sit back and feel gorged...

Author: /time Magazine | Title: Music: Curtains Up! | 10/26/1959 | See Source »

Died. Vera von Schuschnigg, 55, gracious, musical Viennese beauty who married Austrian Chancellor Kurt von Schuschnigg by proxy (1938) when he was held incommunicado by the invading Nazis, followed him from one concentration camp to another, until both were liberated by U.S. troops in 1945, came to the U.S., where the ex-Chancellor is now professor of government at St. Louis University; of cancer; in Kirkwood...

Author: /time Magazine | Title: Milestones, Sep. 28, 1959 | 9/28/1959 | See Source »

...finest story in the issue is by Kurt Blankmeyer, a piece called Saturday Burial, which describes the narrator's childhood experiences with a mad widow, and her dog Siegfried. The widow is a powerful Teuton transparently called Edda Norse, and the story has a conscious Germanic flavor and a fine not to say exciting Wagnerian ending. Saturday Burial is written in the same half-understanding, wide-eyed manner as Blankmeyer's Victory Over Japan, but less skillfully. The development is somewhat mechanical, and the events which should happen spontaneously seem to be plotted by an all-too-visible hand...

Author: By Peter E. Quint, | Title: The Advocate | 9/28/1959 | See Source »

...theme would have appealed to any opera composer from Donizetti to Kurt Weill: money and love. But particularly the former, since as Somerset Maugham put it, "In the end. all passions turn to money...

Author: /time Magazine | Title: Music: Love & Money | 9/21/1959 | See Source »

...parable of modern man's fatal confusion, as he saw it, of the material and the spiritual worlds. The heroine is a dim-witted old peasant woman (Annie Rosar), who works as a cook in a wealthy Austrian family, saves all her pennies to educate her nephew (Kurt Meisel) for the priesthood. Actually the cook does not care a fig for the nephew. All she wants is a priest who will pray for her soul and make sure she gets to heaven...

Author: /time Magazine | Title: Cinema: The New Pictures, may 11, 1959 | 5/11/1959 | See Source »

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