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...made-in-Italy experience will go a long way. "I've realized that tailoring is essential to design," she says. "You understand here how much work goes into a suit, seeing how a garment is constructed. You can design the weirdest shape you want, but you must also know what should go where." So as for il taschino, Ter Meulen now knows not only where it goes but how to get it there...

Author: /time Magazine | Title: A Touch of Class | 5/1/2009 | See Source »

...says. “The students here are really serious about theater, but they also have serious opinions on politics and all those other fields. It has made me a fuller person than I would have been. I guess the thing is, I don’t always know what’s best for myself.” Unlike Tisch, Harvard does not have a Drama concentration, but Rich has been able to pursue a special concentration in Dramatic Arts, in which she studies theater through the lens of literary analysis and psychology. As a culminating project...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Alison H. Rich ’09 | 5/1/2009 | See Source »

...consider electric fans, postcards, watermelons, and dollar bills art? Darren Bader, a New York-based artist known for his imaginative use of space in installations, thinks so, but he wants to know what you think. Yesterday, Bader engaged with students in a conversation about the definition of contemporary art. Bader’s philosophy is “anything goes,” and he leaves behind the studio as his primary place of production. He breaks conventional perceptions of objects and space by placing them in direct, unexpected conversations with one another. Continuing on the avant-garde trajectory...

Author: By Minji Kim, CONTRIBUTING WRITER | Title: Bader Talks Art | 5/1/2009 | See Source »

...most recent stage role was also his drag debut. He played Juno, a pregnant, Sunny-D-swigging adolescent oracle, in the Hasty Pudding Theatricals’ burlesque, “Acropolis Now.” “I definitely felt like I didn’t know what I was doing,” he says. In spite of circumstances, the actor met with positive reviews...

Author: By Asli A. Bashir, CRIMSON STAFF WRITER | Title: Barry A. Shafrin ’09 | 5/1/2009 | See Source »

...This spirit of adaptation applies to the production of the play itself. According to Shapiro, the original intent of French farce performances in Adams House was to invite a professional director to live in the house for a brief period of time in order to get to know the students before putting on a play. The auditions used to be open only to Adams residents, but more recently, it became increasingly difficult to consistently choose a full cast roster strictly from within the house. “Instead of ending a tradition,” Shapiro says...

Author: By Roxanne J. Fequiere, CONTRIBUTING WRITER | Title: Belle Époque Humor Amuses in Adams | 5/1/2009 | See Source »

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