Word: knightly
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Dates: during 1960-1960
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...usual, all of Bergman's actors perform excellently. Max von Sydow, memorable as the Knight in The Seventh Seal, is especially outstanding for his intense portrayal of Vogler, the leader of a group of entertainers who practice Mesmer's "animal magnetism" in nineteenth-century Europe...
...four-point scoring total by Harold Petterson spear-headed the Golden Knights' attack. Petterson made Clarkson's first and next-to-last goal, besides adding key assists on the Knight's second and fourth tallies...
...second period on a shot from in close, following a jam-up near one side of the cage. There was no assist on the play, but less than a minute later Petterson and another Clarkson player combined to dump one more tally and put the Golden Knight's ahead...
...role of Ruggiero, Mezzo Blanche Thebom flawlessly handled the difficult vocal and dramatic task of portraying a knight who, bewitched by a Circe-like enchantress, has forgotten his past but is gradually regaining his memory. British Mezzo Monica Sinclair, also making her U.S. debut, displayed a fierce, darkly colored voice, matched at every turn by the other principals-U.S. Soprano Joan Marie Moynagh, Italy's Luigi Alva and Nicola Zaccaria. The star of the evening, though, was Sutherland, and she amply lived up to the reputation that had preceded her (TIME, June 13). Her range was wide, secure...
This book, first published in 1938, is one of Vladimir Nabokov's prehumous works. Like The Real Life of Sebastian Knight and Invitation to a Beheading, it was buried under critical neglect and popular apathy when it appeared, is now gaining a second life through the continuing Lolita boom. But Laughter in the Dark only superficially resembles Lolita; it is closer to the Heinrich Mann novel that became The Blue Angel, the famed Marlene Dietrich film of the same general setting and period. At its loftiest, Nabokov's theme is the degradation, by lust, of dignity and intellect...