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...Rear Window is the brainchild of David Kleiler, who runs the organization out of his home in Brookline. Kleiler began the Rear Window a little over six years ago, after 12 years of teaching film at Babson College. Feeling disconnected from the world of cinema after quitting Babson, Kleiler began the organization as a showcase for locally produced films, particularly shorts, which were going unappreciated in the Boston community. Kleiler had previously shown films in his living room, and liked the casual environment and discussion such a format provided...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

Today, the Rear Window continues to maintain this casual tradition. Kleiler shows his films in locations as diverse as Chet's Last Call, the Brookline Arts Center, and the Boston Food Coop. At a screening I attended last year, a series of Nick Zedd shorts were shown on a portable screen in the now defunct Studio 54 on Queensbury Street in the Fenway. The audience lounged on the floor, passing around beer from a Bud suitcase to friends and strangers alike, while Lydia Lunch spouted profanities overhead...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

...Kleiler still programs the Rear Window himself, maintaining his commitment to local film, but also branching out to include obscure and cult features ranging from Russ Meyer films to little seen works of major directors like Sam Peckinpah. To keep in touch with the demands of his audience, Kleiler uses suggestion boxes. Still, he consciously steers clear of the films offerred in ordinary repertory series. "I've tried to ensure that the Rear Window, as primitive as it is, have different conditions than the usual moviehouse. We try to maintain a certain funkiness...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

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