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...Anneliese, it seems, was a case straight out of The Exorcist. Ever since high school she had been subject to convulsive seizures, attacks that a neurologist diagnosed as epilepsy. Doctors had little success in treating her. Her devout parents, in desperation, began consulting priests. Finally, with permission from Bishop Josef Stangl of Wūrzburg, they brought in two exorcists-Father Arnold Renz, a former missionary in China, and Father Ernst Alt, a pastor in a nearby community. For ten months, beginning last September and continuing until shortly before her death, the two priests conducted an intermittent series of exorcisms...

Author: /time Magazine | Title: Religion: A Phenomenon of Fear | 9/6/1976 | See Source »

Across the Rinne, Gluck's triumph is likely to spread far, for opera is becoming increasingly fashionable. At Esterház, for example, where Franz Josef Haydn serves as Kapellmeister to Prince Nicolaus the Magnificent, the composer has been asked to stop writing chamber music for the prince to play on his baryton viol and to drill his 22- man orchestra in opera. Among those who heard Haydn was Archduke Ferdinand, who commissioned him to compose an opera, La Vera Costanza, to be staged in Vienna later this year...

Author: /time Magazine | Title: Education: Chastity Triumphant | 7/4/1976 | See Source »

...Leontes's opposite number, Polixenes, who first suffers injustice and later commits it, George Hearn is an admirable successor to Jack Ryland, although he is not wholly at home in Shakespearean speech. Josef Sommer, absent from the AST for several seasons, is back, once more giving the impression that he was born speaking the Bard's language. This year he is Camillo, the lord who links the worlds of the two kings; and his performance is exemplary (except that the director still insists on substituting the word "undress" for the correct "discase...

Author: By Caldwell Titcomb, | Title: 'Winter's Tale' Has Superb Leontes at Last | 7/2/1976 | See Source »

...Sessions' Montezuma. At the Baltimore Opera Company, it was 14th century Portugal in the world premiere of Thomas Pasatieri's Ines de Castro. At the New York City Opera, the setting was the land of Talmudic legend in the U.S. premiere of Ashmedai by Israel's Josef Tal. All three operas were sung in English. Though the music varied in worth, all three productions boasted brilliant stagecraft and demonstrated once again the vitality of U.S. regional opera...

Author: /time Magazine | Title: Music: Three for the Opera | 4/12/1976 | See Source »

ASHMEDAI. Josef Tal, 65, is Israel's leading electronic composer. He works in a universally recognized style: 20th century eclectic. This grab-bag approach blends traditional composing techniques, rigorous twelve-tone segments reminiscent of Schoenberg with some electronic buzzes and drones. There are some striking orchestral passages. This kind of writing is not designed to display the human voice, despite vivid characterizations by Soprano Eileen Schauler and Baritone Paul Ukena...

Author: /time Magazine | Title: Music: Three for the Opera | 4/12/1976 | See Source »

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