Word: johanna
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Dates: during 1950-1959
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...supporting roles are adequately handled and the humor is played to the utmost. As Andromache, Johanna Shaw overcomes a certain flatness of tone to portray the concerned and anxious wife of Hector. John Beck, doubling as the crafty Ulysses, presents a fine portrait of the experienced and uningenuous Greek ambassador. Christopher Rawson's portrayal of Paris as a complete sensualist involved an excessive number of effeminate hand-on-hip gestures...
...tenuous plot has the out-of-sorts singer brought to his senses by a pretty Viennese Fräulein, nicely played by German Actress Johanna von Koczian, in her American screen debut. She is the only woman on the Continent whom Mario can trust to love him for love alone. Reason: she is stone deaf. That is, until she has that operation, "dangerously close to the brain." If, like Johanna, moviegoers could keep their ears closed and their eyes open, they might enjoy Salzburg, Rome, Capri and Anacapri in fetching color. And by letting Zsa Zsa be Zsa Zsa, Director...
...backdrops for successive scenes are frankly mounted on a large picture frame, and the effect is never more Brechtian than when substantial sections look as if they were made out of old packing-crates. The folkish songs composed (or, sometimes, borrowed) by Caldwell Titcomb, and sung mostly by Johanna Linch, are also highly atmospheric. These are the familiar devices of Brecht's "Epic Theatre" staging, but it seems to me that in this production they are fused in a new way with the words of the play, to create an ambience none the less real for being more vivid, perhaps...
Also chosen as vice-president were James F. Collins '61, of Lowell House and Northfield, III.; Michael Hornblow '62, of Thayer Hall and Los Angeles, Calif.; Howard J. Phillips '62, of Dudley House and Brighton; Robert C. Thompson '62, of Grays Hall and Albuquerque, N.M.; and Johanna Watson '61, of McIntire House and North Quincy...
...orchestra, besides performing accepted classics, has kept the Cambridge public aware of new musical work. Music by Shostakovitch, Piston, Mennin, and Vaughan Williams has appeared on the H-R O program, despite the objections of reactionary elements in the Cambridge audience. Soloists such as Ruth Posselt, Joseph Szigeti, and Johanna Martzy have performed in Cambridge under Pierian's auspices, and university hopefuls also