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...others--children and old people--she started talking into a tape recorder at the behest of a writer friend named Gloria Bley Miller, recalling what it was like to grow up in a big family in a little house with no indoor plumbing; to pick cotton; to live in "jivey" 1940s Harlem. Miller edited the reminiscences, and Baxter's unique voice so impressed editors at a major publishing house, Alfred A. Knopf, that next month it will bring out her exuberant memoirs, The Seventh Child: A Lucky Life. "I'm the seventh child, so I know I'm lucky," says...

Author: /time Magazine | Title: Autobiography: Thanks For The Memoirs | 4/12/1999 | See Source »

Some of Anthology 2's most charming cuts are pre-Martin-ized versions of the final material. Check out the Beatles unplugged: a rollicking Got to Get You into My Life featuring sumptuous harmonies; the fetal version of A Day in the Life; a mainly acoustic, hand-jivey I'm Looking Through You; a busted take of And Your Bird Can Sing, in which John and Paul teeter into wild giggling--two kids in love with the fun of making music...

Author: /time Magazine | Title: MUSIC: MORE TAPES FROM THE CRYPT | 3/18/1996 | See Source »

...obvious: the rant of Hitler, the rumble of Churchill . and the single, seamless sound blended from the warble of the Andrews Sisters: Maxene, Patti and LaVerne. The trio first flew up the charts with 1937's bilingual Bei Mir Bist Du Schoen, a Yiddish ditty infused with the giddy, jivey spirit that followed G.I.s around the globe. Wartime hits included Boogie Woogie Bugle Boy (1941) and Rum and Coca-Cola (1944). The 1967 death of LaVerne ended the Andrews Sisters' career--but not Maxene's. She went solo, wrote a memoir and recently helped veterans celebrate the 50th anniversary...

Author: /time Magazine | Title: Milestones Nov. 6, 1995 | 11/6/1995 | See Source »

...first episode works nicely against TV type. The story deals with two black brothers, but there is no jivey street talk. The younger (Larry Fishburne) is a policeman, but we never see him draw a gun. The elder (Carl Lumbly) is an uptight banker, the sort of Republican stick-in-the-mud who gets lampooned on TV sitcoms. When the banker is killed in a mugging, the cop must grapple with a range of emotions: a craving for revenge; an emerging sense of responsibility for his brother's family; even (suggested ever so delicately) + romantic stirrings for his sister...

Author: /time Magazine | Title: Downtown Pleasures | 3/22/1993 | See Source »

...disparate elements that the film makers are trying to stick together for 48 Hrs. are a tough white cop with the soul of a beer barrel (Nick Nolte) and a jivey black con with the spirit of a peacock (Eddie Murphy of Saturday Night Live.) The former springs the latter from prison believing he can help trace a psychopathic former associate who has become a cop killer. There ensues a long, often well-staged but improbable chase through San Francisco. The sequence is enlivened by some reasonably well-written dialogue, as if Director Hill had revived The Odd Couple...

Author: /time Magazine | Title: Cinema: Stickup | 12/20/1982 | See Source »

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