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Luthjen's is one of the two surviving specimens of an old New Orleans institution that flourished as recently as a decade ago: the neighborhood dance hall. Like Happy Landing, the only other survivor, Luthjen's employs middle-aged jazzmen-the youngsters have turned to rock 'n' roll-and attracts middle-aged customers, who turn up loyally week after week to listen and shuffle to the music they danced to a generation ago. To preserve that music in its raw state, Folkways set up recording equipment in New Orleans, issued an album titled Music...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

...basic articles of faith in the beard-and-sandal set is that no woman alive sings jazz like Ella Fitzgerald. Ella it was who schooled a whole generation of vocalists to phrase and improvise like jazzmen; Ella, too, who popularized scatted lyrics and the word rebop. But Ella has always moved with equal ease through the palm-frond world of popular dance music, and Jazz Impresario Norman Granz set out to prove it by issuing a series of albums on his own Verve label featuring Ella in great pop hits. Latest addition to the series: Ella singing Irving Berlin...

Author: /time Magazine | Title: Music: Pop Records | 10/6/1958 | See Source »

Time poses another problem to jazz growth at Harvard, as at any college. Most Harvard jazzmen play for fun, or spare change, and if they find the rat-race for contacts and publicity takes too much time, jazz fades out. A shortage of skilled players and the lack of practice time kills most chances for a well-rounded dixie group--a band without a "weak link." The missing "weak link" makes Gardner's group unique, and even here the talent is one third alien...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

...record of sessions with Coleman Hawkins, Don Elliott, Chet Baker, and other jazz luminaries. He has also played Storyville and appeared on Steve Allen's Tonight, as well as Fr. O'Conner's Boston TV show. In technique and jazz concept he is decisively separated from the other Harvard jazzmen, and steady work has allowed him to practice and progress...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

...Sunday afternoon sessions, where students could play some jazz, or just listen. Kuhn acted as technical adviser at the workshops and feels they were "rather successful." "A lot of people had a chance to play, and some learned something. It folded last year when Beckwith graduated." Although many jazzmen miss the workshop sessions, no one has filled the void with initiative...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

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