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Long Shot #2--Three of the pedestrians walk by on the way to the Brattle. One in a heavy wool sweater, one in a black jacket with an upturned collar, one in a windbreaker. Two are men. The pedestrian in the windbreaker is a woman. They are talking about Rebel, though no words can be made out. The pedestrian in the heavy wool sweater looks overhead and sees the jetliner. The other two scan the crowd for familiar faces...

Author: By Thomas Hines, | Title: Two American Actors | 10/15/1981 | See Source »

Start with the money. One hundred dollars will buy you one sleeve of a Halston ultrasuede jacket, dinner for two at a Manhattan restaurant or tickets to three conventional Broadway shows. It will also get you into the Royal Shakespeare Company's The Life and Adventures of Nicholas Nickleby, whose first preview performances last week helped launch the new Broadway season. In terms of time and money spent, this sprawling, tumultuous, 8½-hour adaptation of Charles Dickens' 1839 novel is the theatrical bargain of the decade. One off-Broadway musical ?five lively actors, 70 easy minutes, the audience seated...

Author: /time Magazine | Title: A Dickens of a Show: NICOLAS NICKELBY | 10/5/1981 | See Source »

Steve Oney is not a college student. His tweed jacket, Knapsack, pullover sweater and predilection for Bartley burgers (he prefers the "Ronnie Reagan burger," two jellybeans included) may make him look like one; he does attend some half-dozen classes and will continue to do so for the rest of the year. But Steve Oney is a 1981-82 Nieman fellow, a self-styled "new journalist," and his mission at Harvard this year is not to pave the way toward professional school but to take courses "that I don't know anything about." There's one other thing: he wants...

Author: By Paul A. Engelmayer, | Title: Covering the National Drama | 9/25/1981 | See Source »

...talks easily, and with a gentle grace; Engel lists "conversation" among the things he enjoys on the dust jacket of his new book. He has a crinkly smile and offers it frequently. He is not jolly, but a modern and friendly version of courtly. Speaking about his years at Harvard, Engel downplays the difficulty of teaching fiction and writing it at the same time. Scheduling problems, mostly. Students make large and immediate demands on his time, whereas the writing can always be put off. Further, there are "certain similarities of energies" required of writing and teaching, and he says...

Author: By Jeffrey R. Toobin, | Title: Monroe Engel | 9/24/1981 | See Source »

Sitting in his cluttered office tucked away on the third floor of the Center for European Studies, itself a secluded enclave on a quiet residential street four or five blocks from the Science Center, Schama is dressed in stylish New Wave clothes, a fashionable dress leather jacket draped over the back of his chair. His cultured British accent adding, at least to an American ear, an extra touch of grace to his already eloquent speech, Schama speaks of rock music with the same passion with which he discusses academics...

Author: By Charles W. Slack, | Title: History With a Backbeat | 9/14/1981 | See Source »

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