Word: italianized
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Dates: during 1950-1959
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Under the law some 347 Italian and German opera singers, businessmen, musicians and plain citizens were snatched off ships and planes arriving last week in New York, and packed off behind the wire fences of Ellis Island. There they were 800 yards from the Statue of Liberty, and a good deal farther from the land they had hopefully come to see. They were among the first victims of the new restrictions on immigration in the Communist-control bill passed by the Congress over Harry Truman's veto. Italy was outraged; Western Germany was hurt. Both sent protests to Secretary...
...anyway. The collection, wrote Walker, reflects "his personality. Gladstone enumerated six qualities which distinguish a collector: 'Appetite, leisure, wealth, knowledge, discrimination, and perseverance.' These qualities Mr. Gulbenkian possesses to a pre-eminent degree. [Fellow financiers] would be surprised to hear him comparing their business dealings to . . . Italian paintings! With tireless patience he has sought beautiful objects; pictures, sculpture, ancient coins, Near Eastern ceramics, manuscripts, eighteenth-century furniture, tapestries...
Burly Tenor Ramon (Otello) Vinay was in a sweat. A Chilean trained for Italian and French opera, he had worked hard for over a year to huff himself into a German-style Heldentenor, and he was all set to sing his first Tristan, with Kirsten Flagstad as Isolde. San Franciscans (and Metropolitan Opera General Manager Rudolf Bing, who sorely needs a successor to Lauritz Melchior) were all set to hear him. But a fortnight ago, with debut day almost at hand, Tenor Vinay was bogged down in Chile. A stubborn Santiago impresario refused to let him leave the country until...
...first eight: Strauss's The Blue Danube (conducted by Leopold Stokowski); La Donna è Mobile, from Verdi's Rigoletto (sung by Caruso); Carry Me Back to Old Virginny (sung by Marian Anderson); Franz Liszt's Liebestraum (performed by the First Piano Quartet); Victor Herbert's Italian Street Song (sung by Jeanette MacDonald); Bluebird of Happiness (sung by Jan Peerce); Jalousie (performed by the Boston Pops Orchestra); Make Believe, from Show Boat (sung by Allan Jones...
There are few names that oldtime opera lovers care to mention in the same breath with Caruso and Scotti, but Claudia Muzio (1892-1936) is one of them. The daughter of an Italian operatic stage manager, she grew up backstage in London's Covent Garden, Manhattan's Metropolitan. Caruso, with whom she made a stunning U.S. debut as Tosca in 1916, once said that Claudia "knew all of our stage tricks before she wore long skirts." She had a voice to match her acting: she could, and did, sing coloratura, lyric and dramatic soprano parts with equal ease...