Word: illusionistic
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Dates: during 1950-1959
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...story of a poor cafe pianist who realizes his mediocrity after friends read his diary, L'Empire seemed little more than mediocre itself. Critical consensus: had the elderly ladies of the Fémina jury been on their toes, they might have given Franchise the prize for her Illusionist (1951), the story of a young girl's love affair with her father's mistress...
Separate Tables. A Chekhov situation, without the Chekhov truths, brings half a dozen warped and lonely characters together in an English seaside boardinghouse. The parts provided by Playwright Terence Rattigan, a master illusionist, are well acted by Rita Hayworth, Deborah Kerr, Burt Lancaster, David Niven, Wendy Killer and Gladys Cooper...
Separate Tables. A Chekhov situation, without the Chekhov truths, brings half a dozen warped and lonely characters together in an English seaside boardinghouse. The parts provided by Playwright Terence Rattigan, a master illusionist, are well acted by Rita Hayworth, Deborah Kerr, Burt Lancaster, David Niven, Wendy Hiller and Gladys Cooper...
...illusion is ably fostered by the actors. Niven is excellent, and Kerr and Hiller at times are inspired. But the master illusionist is Rattigan, and his illusion is based on the sly discovery that in an age of changing values, if one wishes to seem mature in emotional matters, it is not really necessary to see people as they are, but only to accept people as they seem. The fact is that Playwright Rattigan does not appear to care very much about human beings; he cares about theatrical effects. Nevertheless, his effects are far more subtly effective than those...
...work of "Die Bruecke" three dimensional illusionist painting was severely attacked. Simple contrasts of black and white replaced the attempt to model form by different degrees of color. Taking their inspiration from Medieval and African models, Heckel and Schmidt Rottluff created works of monumental style having an elemental power and an obvious decorative quality. These early pictures of "Die Bruecke" were infused with a catching vitality that was unfortunately soon lost in an insipid and fashionable Ars elegante. Other expressionists like Kollowitz and Kokoschka remained true to the original inspiration. "Woman with Dead Child" is Kollowitz at her best struggling...