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Word: ids (lookup in dictionary) (lookup stats)
Dates: during 1980-1980
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Usage:

...added session, which may end this week after Congress approves funds for government operations through the end of January, has not completely lacked examples of conservative in-fighting. Sens. Robert Dole, (R-Ks.) and James A. McClure (R-Id.), for example, have criticized the president-elect on his plans for federal belt-tightening...

Author: By Paul M. Barrett, | Title: Hill Conservatives Begin the Offensive | 12/11/1980 | See Source »

...chronicler of suburban domesticity who regaled us with Please Don't Eat the Daisies and The Snake Has All the Lines. Trust her to keep a civilized, witty tongue in her head whatever her characters' antics. Lunch Hour is a tale of extramarital hanky-panky without the id. Oliver (Sam Waterston) and Nora (Susan Kellermann) have rented the upper half of a Southampton beach house that Designer Oliver Smith must have had in mind for Neiman-Marcus. Oliver is a marriage counselor. He may have counseled his mother and father. Nora is a leggy, braless blond goddess with...

Author: /time Magazine | Title: Theater: Sin and Smog | 11/24/1980 | See Source »

...adolescence with reduced turmoil, providing them with a safe, acceptable outlet for their anti-social urges. The stories themselves rely heavily on archetypes, and some of the best films of the genre have an allegorical, fairy-tale quality. In pop psychology terms, the monster emerges from the viewer's id, wreaks havoc for awhile, and is destroyed by the hero, who represents the triumphant super...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

This form has never changed, but the filmmaker's emphasis certainly has. The orgies of violence and destruction so fully depicted in Humanoids and Friday the 13th represent the id unleashed--in ways de Sade would have admired--but the victory of the super-ego also plays upon the viewer's sadistic urges...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

This form has never changed, but the filmmaker's emphasis certainly has. The orgies of violence and destruction so fully depicted in Humanoids and Friday the 13th represent the id unleashed--in ways de Sade would have admired--but the victory of the super-ego also plays upon the viewer's sadistic urges...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/10/1980 | See Source »

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