Word: hungarians
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Dates: during 1940-1949
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...local (half of the musicians come from east Texas), young (average age: 30) and very enthusiastic over its new conductor. Though there is an impressive "Founded in 1901" at the top of its programs, the present orchestra is really only five years old: in 1945, after a wartime hiatus, Hungarian-born Antal Dorati (now conductor of the Minneapolis Symphony) reorganized it and made it for the first time a competent, nationally respected organization. Hendl has continued Dorati's tradition of introducing new works. With Rudolf Firkusny at the piano last month, he conducted the orchestra in the world premiere...
...from 1898 to 1906, the Vienna Opera's bearded Wilhelm Gericke, as Founder Higginson wrote, "gave to the orchestra its excellent habits and ideals." It was he, said Higginson, who "taught those violins to sing as violins sing in Vienna alone." Europe's greatest conductor, fiery Hungarian Artur Nikisch (1889-93) taught it how to "poetize," and perhaps he taught too well; at a rehearsal in 1904 Guest Conductor Richard Strauss growled: "You play that finely; but a little too finely. I want some roughness here." The Berlin Opera's Karl Muck (1906-08, 1912-18), wrote...
...trial started two defendants short. Russian Orthodox Priest Vladislav Nekliudov, chief among the accused, had hanged himself with a bedsheet in his cell. One Alexander Krasilnikov, a former colonel in the Czarist army, was said by the court to be too ill to stand trial. Soviet, Hungarian and Bulgarian newspapers promptly cried that Tito had deliberately eliminated the two defendants, that the trial was fixed. To refute these charges, the Yugoslavs invited reporters to the bedside of ailing defendant Krasilnikov, who showed no evidence that Tito's police had maltreated him. Said he contentedly: "I was never...
...writing the concerto, Hungarian Bela Bartok knew he was racing against death. Hating to waste one moment of time or one inch of score paper, the poverty-stricken composer wrote in a highly individualized musical shorthand, sometimes indicating whole passages with one or two pothooks, often squeezing in bars off the clef-at the edges and bottom of the sheet-without even indicating where they belonged. His most puzzling short cut was in the correction of notes: instead of erasing, Bartok grafted his improvement right onto the original...
After the concert last week, William Primrose said: "There isn't anything missing in this concerto. It has everything-excitement, pathos, deep feeling and in places an almost folksong quality." Added Hungarian-born Conductor Dorati, who introduced Bartok's opera Bluebeard's Castle in Dallas last year: "I think of this work as a wonderful and beautiful white diamond. It is just as hard, just as crisp and just as white. I think it is an explanation of the whole man who was Bela Bartok...