Word: holocaust
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...horrifying to realize that because of one Supreme Court case, the fetal holocaust is hidden behind misleading euphemisms. Instead of saying that we murder unborn children, Roe has enabled us to say that we “abort fetuses” at the rate of 4,400 a day. The lady next door would never pay an abortionist to murder her unborn son. All she did was eliminate the “product of conception” because she did not want to subject her inconvenient offspring to an impoverished life. The legacy of Roe vs. Wade makes her decision...
...PIANIST. Adrien Brody’s magnetic, largely silent performance in Roman Polanski’s Holocaust drama almost compensates for The Pianist’s inconsistent tone and distasteful political sensibilities. Brody’s Wladek Szpilman, who could hardly have picked a worse time and place to be Jewish, transforms from cocky concert pianist to starving phantom hunted by Nazis after escaping death in the bombed-out ghetto. The film soars briefly as it reflects on the redemptive power of music and the Szpilman’s commitment to survival; it stumbles badly in its misleading depiction...
...that climbs 1,776 ft. (The Fourth of July altitude is no accident; and, yes, the building would be the world's tallest.) As it rises, it would echo the lines of the Statue of Liberty just across the water, a sight that Libeskind, the Polish-born son of Holocaust survivors, first glimpsed as a teenager when he arrived in the U.S. by boat with his parents. In the scheme's subtlest gesture, that tower's upper elevation is given over not to offices but to "sky gardens," whole floors of plant life high above the city. This is architecture...
Sound--"the voice of the site"--is still crucial to his design work. The emotional climax of the Jewish Museum is a trapezoidal room that signifies the catastrophe of the Holocaust. Visitors enter an angular, concrete cell in which the only light comes from a narrow slot high above. When the heavy door is closed behind you, you are simply there in the dark, confronting the desolation of history at one of its bleakest dead ends. You can barely hear the street traffic outside; the world cannot hear...
...PIANIST. Adrien Brody’s magnetic, largely silent performance in Roman Polanski’s Holocaust drama almost compensates for The Pianist’s inconsistent tone and distasteful political sensibilities. Brody’s Wladek Szpilman, who could hardly have picked a worse time and place to be Jewish, transforms from cocky concert pianist to starving phantom hunted by Nazis after escaping death in the bombed-out ghetto. The film soars briefly as it reflects on the redemptive power of music and the Szpilman’s commitment to survival; it stumbles badly in its misleading depiction...