Word: heroism
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Dates: during 1970-1979
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...despair, here it takes someone else making a moral claim on Castle to spur him to act. When he finally defects to save his neck, and settles down as an honorary Soviet citizen, he does so only out of a reluctant sense of personal loyalty. There may be personal heroism involved here, but it is all done grudgingly...
...cleaved, in Baudelaire's phrase, to "the heroism of modern life"; even nature, as in Arboretum by Flashbulb, 1942, acquired a sharp inorganic speediness under Davis' city eye. Toughness, aggression, careful construction were as characteristic of his art as of the New York it celebrated. The aims of constructivism - an ideal system, beyond dialectics - meant little to him. Reality, for Davis, was dialectic and it expressed itself in strain. His paintings are all about unstable energy, and in this too he was a most "American" artist. No matter how firmly Davis insisted on their abstract basis...
...living in Moscow, Ivinskaya has had her intimate recollections of Pasternak published in the West, thus risking the further wrath of the authorities in the Soviet Union. She has also made another, perhaps more portentous choice: to expose the human frailty that is the underlay of heroism and the foolishness that may be attendant upon genius. She tells of her endless "female tantrums," provoked by Pasternak's determination not to leave his wife and children but to maintain two households instead. To these outbursts the writer often responded, "this is something out of a bad novel." "I suppose...
Written for the screen by Albert Innaurato (Gemini), one of the most gifted young U.S. playwrights, Verna is both a comic and a sorrowful account of a girl's peculiar heroism. The humor can be found in Innaurato's sassy dialogue, which gives new resonance to the lingo of '40s movies, and in the many vintage U.S.O. routines that dot the film's narrative. Underneath the surface wit is Innaurato's portrait of Verna's aching loneliness and cultural malaise. When Verna, for the sake of her nonexistent career, jilts an Army captain whom...
...eyes are set off by his incongruously boyish voice and smile, or Reynolds' good-ole-boy con man, shooting from the lip as fast as Eastwood shoots from the hip. The comparison is not with their contemporary peers but with the major figures of the great age of screen heroism, to Coop and Gable, Bogie and Duke, those exemplars of the democratic notion that the seemingly ordinary could be, should be, the repository of the extraordinary...