Word: helmut
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...scenes were shot on the cheap in Yugoslavia. More than 3,000 Yugoslav peasants and some 4,500 cavalrymen of the Yugoslav army are employed as camera fodder. To top it off, nine big names (Silvana Mangano, Van Heflin, Viveca Lindfors, Geoffrey Horne, Oscar Homolka, Agnes Moorehead, Helmut Dantine, Finlay Currie, Vittorio Gassman) have been stacked on the billboards like a packet of insurance policies...
...this "vulgar, Western riot music." decreed the Culture cubes. And the songwriters got their orders: Give us the stuff of social significance. So Leipzig's Rene Dubianski, one of East Germany's more enterprising pop composers, turned out a sort of double-time waltz. Dance Instructors Helmut and Christa Seifert fitted Dubianski's efforts with some quickstep choreography, and the comrades from the Culture Ministry announced a "Soviet innovation...
...director, Helmut Kautner, can speak through the visual medium many times more subtly than through the verbal. He records scenes that express the whole depth of the film in a few seconds. And old woman offers the boots of her dead grandson to Helga, thinking she has deserted the Germans of her own will, and Kautner elicits a dramatic poignancy that is almost unbearable. In just the last few frames of one sequence a kitten appears to follow Helga out of the room, and by his cinematic control the director turns the kitten into a pure manifesation of the faltering...
Gerhard Martin Sommer, the man in the wheelchair, had indeed been at Buchenwald-but not as a prisoner. As the master of the punishment cellblock between 1938 and 1943, Sommer was the broad-shouldered bullyboy who, in the words of West German Prosecutor Helmut Paulik, perpetrated "probably the most hideous group of sadistic atrocities unearthed since the war." In the camp where Use Koch, wife of the camp commandant and the "Bitch of Buchenwald." purportedly made lampshades of human skin (she is serving a life term), SS Guardsman Gerhard Martin Sommer went so far in sadism that even his Nazi...
Orff: Der Mond (Rudolf Christ, Hans Hotter, Karl Schmitt-Walter, Helmut Graml, Paul Kuèn, Peter Lagger; the Philharmonia Orchestra and Chorus conducted by Wolfgang Sawallisch; Angel, 2 LPs). German Composer Carl Orff's second opera (1938) is a modern retread of the Grimm fairy tale about four villagers who steal the moon from neighbors, carry it to their graves, finally lose it to St. Peter, who hangs it in the sky to light "the men who still wait in the little garden of the earth." The fragmented, intermittently lyrical score contains snatches of gutbucket jazz and such...