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...supreme masters of Bach interpretation today are men like Helmut Walcha, Ralph Kirkpatrick, Glenn Gould and Karl Richter. But curiously enough, it is the women who always seem to win the Johann Sebastian Bach International Competitions, which are held in Washington, D.C.; in the last six Bach contests, women took first prize four times and tied once for first-place honors...

Author: /time Magazine | Title: Contests: Sex & Bach | 6/7/1968 | See Source »

Committee members were Harvey G. Cox, associate professor of Church and Society; Ralph B. Potter, assistant professor of Social Ethics; George H. Williams, Hollis Professor of Divinity; Helmut Koester, John H. Morrison Professor of New Testament Studies; and Herbert D. Long, dean of students at the Divinity School...

Author: By Diana L. Ordin, | Title: Divinity Faculty Asks Aid for War Resistors | 12/16/1967 | See Source »

...scope of education offered to theology students. Students registered at one of the seven schools in the institute will be allowed to cross-register at the other six.. They will probably be required to take only half their courses in the school where they are registered, according to Helmut H. Koester, John H. Morrison Professor of New Testament Studies at the Harvard Divinity School and a member of BTI's executive committee...

Author: NO WRITER ATTRIBUTED | Title: Harvard Divinity Joins 6 Schools In New Institute | 12/11/1967 | See Source »

...committee members are Harvey G. Cox, associate professor of Church and Society, Ralph B. Potter, assistant professor of Social Ethics, George H. Williams, Hollis Professor of Divinity, and Helmut Koester, John H. Morrison Professor of New Testament Studies...

Author: By Diana L. Ordin, | Title: Div. School May Finance Draft Resisters' Defense | 11/4/1967 | See Source »

...Vienna Philharmonic sound is that of an idealized chamber ensemble, a creamy, homogeneous, pliant blend of wind, brass and string tone that hovers in the air. Trumpeter Helmut Wobisch, the orchestra's manager, ascribes the sound in part to the peculiar nature of Vienna's brass instruments, wider in bore than those used in Ameri can, French and British ensembles, and handmade of exceptionally thin metal, producing a blendable tone without the usual cutting edge...

Author: /time Magazine | Title: Orchestras: How It Should Be Played | 10/13/1967 | See Source »

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