Word: hauptmann
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Dates: during 1920-1929
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...compared them with the signers of the last famed ' Manifesto of German Intellectuals, the Manifest of the "Culture-Warriors" of 1914 which loudly proclaimed the justness of Germany's cause. Four of 1914's fighting Intellectuals were among last week's rational Intellectuals: Playwright Gerhart Hauptmann, Artist Max Liebermann, Professor Adolph von Harnack, Scientist Max Planck. Hindenburg. Just as in Wartime both sides claim the Deity for their partisan, so last week did both armies in the great Battle of the Referendum claim the support of grizzled old Hero President Paul von Hindenburg. Hugenberg followers quoted...
Berlin first-nighters gathered last week in the Theater am Schiflbauerdarnm for an opening of note. Flimsy programs purchased from elderly ushers announced that they were to witness Happy End, a Comedy of Gang Life in Chicago by Elizabeth Hauptmann with music by Kurt Weill and lyrics by Bert Brecht, German translator of John Gay's immortal Beggars' Opera. An italicized footnote explained: "the comedy is based on a story by Dorothy Lane which appeared in The J. L. S. Weekly, published at St. Louis...
Germans in the know whispered to friends that there isn't any "Dorothy Lane," or any J. L. S. Weekly, that the play had been entirely concocted by Elizabeth Hauptmann, pungent Socialist playwright (no relation to Playwright Gerhart [Sunken Bell] Hauptmann ), and that the last act would be etwas famos! ("swell...
...miner, a structural iron worker, a copyboy in the advertising department of a German newspaper. He wanted to be a sailor but his mother said nein. Since he has learned English he revels in Conrad, Jack London, Western stories. He solemnly avers that in German he reads Gerhart Hauptmann and, of course, Goethe, Schiller...
Last week La Campana Sommersa, the music by Ottorino Respighi to a libretto by Claudio Guastalla taken from Hauptmann's play, had its U. S. premiere at the Metropolitan Opera House, Manhattan. Rautendelein was still its inspiration, Heinrich still the heckled human. And for it all Respighi had made lovely, lyric music. But operatic singers, operatic trappings rarely enhance a poetic mood. Soprano Elisabeth Rethberg as Rautendelein managed her bulk skillfully, sang difficult music easily, spent clear high notes' lavishly. But her appearance, her acting left little illusion. Nor could Giovanni Martinelli forget he was a tenor...