Word: hara
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Dates: during 1930-1939
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...after two years, four months of nationwide search and tension, dashing Georgia Belle Scarlett O'Hara was a wispish little English girl with a neatly clipped British accent. Born in Darjeeling, India, in the Himalaya Mountains, Nov. 5, 1913, she spent the first five years of her life in Calcutta, about which she remembers nothing. Later she attended convent school near London with Cinemactress Maureen O'Sullivan. Still later Vivien Leigh studied dramatics. Married in 1932 to Barrister Leigh Holman (whose first name plus her own first name she uses for a stage name), she has a little...
Though professional Anglophobes squawked at the choice of an English girl to play Scarlett O'Hara and a chapter of the United Daughters of the Confederacy at Ocala, Fla. protested, most Southerners were relieved. Their real fear was that a damyankee girl might be given the part...
...love story a bore, its history sectional, its length pretentious, its writing as drab as a bolt of butternut shoddy. The destruction of the South's civilization in the War between the States, told as the case history of two plantation families, the red-blooded O'Haras and the blue-blooded Wilkeses, had been better told before. The overlapping loves of Scarlett O'Hara for Ashley Wilkes, Rhett Butler for Scarlett O'Hara, could be read in any confession magazine...
...when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas, had to be taught to speak thick Georgian, turns in the most finished acting...
...realization of all Scarlett's ideals, in which Rhett and Scar lett enshrine their garish passion. In contrast, sudden lyrical shots lighten the cinemagnificence. Technicolor (using a new process) has never been used with more effective restraint than in Gone With the Wind. Exquisite shot: Gerald O'Hara silhouetted beside Scarlett against the eve ning sky at Tara while he propounds to her the meaning of the one thing she has left when everything else is wrecked - the red earth of Tara...