Word: hallucinogen
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Dates: during 1990-1999
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This escape from reality (like a more traditional favorite, drugs) can cause problems back in the real world. For six percent of Internet users, according to a study of 18000 users last year, the Web is a plug-in hallucinogen, a refuge from reality and an addiction. The psychological symptoms of this addiction, according to the study, include loneliness, low self-esteem and depression...
That was 1987, and Plotkin was deep in a Venezuelan rain forest. Then director of plant conservation for the World Wildlife Fund, he had heard of a hallucinogen used by Yanomamo medicine men. Made from the leaves, sap and seeds of various plants, the potent snuff might have medicinal benefits, he thought. After all, aspirin came from white willow bark, which North American Indians relied on to relieve pain. In fact, plants were vital in the development of 25% of all prescription drugs...
...last, through extensive use of the World Wide Web, we have found the ultimate electronic hallucinogen [TECHNOLOGY, Nov. 9]. When enough computer-stoned Americans are floating through the neon-hued "planetwide sprawl of loosely interconnected chat rooms" called palaces, the criminal drug trade might just dry up for lack of demand. No one really needed opium after commercial television came along. Now it looks as if the Web will provide everything in the way of new experiences that Timothy Leary promised. JAMES ALEXANDER THOM Bloomington...
...when he was an undergraduate at Harvard. Writing for the Harvard Crimson, he fell into an unlikely assignment: poke around the psychology department and investigate rumors that students and professors there were openly experimenting with illegal drugs. The substance of choice was the so far little-known hallucinogen LSD. The professors providing it were the so far little-known Richard Alpert and Timothy Leary...
...Evita It might have been an Oliver Stone political screed or a Ken Russell hallucinogen; the lead actress might have been Meryl Streep or Michelle Pfeiffer. But here it is--20 years after Tim Rice and Andrew Lloyd Webber first produced their gorgeously cynical opera about Eva Peron--reimagined through the eye of director Alan Parker and the flesh of Madonna. The take is dense and studious, an aptly conservative adaptation of a pop classic; it lets the score seduce and the star shine. Madonna, who is up to the vocal demands of the role, makes Eva--sexual predator, social...