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Word: hagar (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Last month Professor Pierre Montet of Strasbourg created an archeological sensation when he announced, from San-el-Hagar on the Nile Delta, that he had found the funeral chamber and the mummy of one of the five kings named Sheshonk who ruled ancient Egypt during the 22nd Dynasty (TIME, April 3). It was suspected that this might be Sheshonk I, the conqueror who, according to the Old Testament, "came up against Jerusalem" and went away with all of Solomon's gold shields. Last week the mummy was identified by a "cartouche" (personal inscription) found on a breast ornament...

Author: /time Magazine | Title: Science: Mummies | 4/24/1939 | See Source »

This archeological find, made at San-el-Hagar on the Nile Delta, was announced early last week by Professor Pierre Montet of Strasbourg who is excavating the site of ancient Tanis. Unlike many Egyptian tombs which have been despoiled by robbers, this chamber, reached by boring through a heavy wall, was found intact...

Author: /time Magazine | Title: Science: Rarer Than Gold | 4/3/1939 | See Source »

Mamba's Daughters tells of big, awkward, blundering, childlike Hagar (Ethel Waters) and her passionate, inarticulate love for her daughter, Lissa. Her dream is to make a lady of Lissa. But a misstep on the girl's part threatens her reputation. To keep it intact the frantic mother commits both murder and suicide...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 16, 1939 | 1/16/1939 | See Source »

Violent and anarchic the life of Charleston Negroes may be, and fierce and swelling the power of mother love. But the Heywards, using an old sucked orange of a plot, have squashed the pulp all over the stage. Only the mildness of Charleston's climate keeps Hagar from doing another Eliza crossing...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 16, 1939 | 1/16/1939 | See Source »

Only thing that gives the play distinction is Ethel Waters' playing of Hagar. In her first dramatic role the famed singer of blues and hotcha shames the play's bogus tear-jerking with her own deep and honest intensity. More moving than anything in the story are the fugitive looks of love and suffering that every so often cross Ethel Waters' plain, brown, human face...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 16, 1939 | 1/16/1939 | See Source »

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