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Word: hackett (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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...directors usually make up for the lack of performing skill by choosing off-beat plays; and this summer was no exception. The company kicked off with Goodrich & Hackett's The Great Big Doorstep, and followed it with two of Eugene Ionesco's avant-garde one-acters: The Lesson; and Jack, or the Submission. Neither of the last two is in a class with Ionesco's The Chairs; but both are intriguing if too drawn out dramatizations of his thesis that people just cannot communicate sufficiently through language. Jack was more imaginatively staged here than the New York production last year...

Author: By Caldwell Titcomb, | Title: Local Drama Sparks Summer Season | 9/21/1959 | See Source »

...program note, The Great Big Doorstep, by Frances Goodrich and Albert Hackett, is referred to as "a wholesome antidote to the heavy exposure of Deep South Depravity to which readers and playgoers were already being subjected." The fallacy in this statement is that, while depravity can at least cause a warm tingling sensation up and down your groin, the only emotion induced by prolonged exposure to innocuousness is sheer boredom...

Author: By John Kasdan, | Title: Tufts Theatre Opens | 7/9/1959 | See Source »

Tufts Arena Theatre (Medford): June 30-July 4, Ionesco's "The Lesson" and "Jack"; July 7-11, Goodrich and Hackett's "The Great Big Doorstep"; July 14-18, Glasgow's "Allison's House"; July 21-25, Bagnold's "The Chalk Garden"; July 28-August 1, Ugo Betti's "The Burnt Flowerbed"; August 4-8, Giraudoux' "The Enchanted...

Author: NO WRITER ATTRIBUTED | Title: Summer School Events Schedule | 6/29/1959 | See Source »

Perry Como Show (NBC, 8-9 p.m.). Guests: Shouter Frankie Laine, Comedian Buddy Hackett, Lyricist Oscar Hammerstein...

Author: /time Magazine | Title: Time Listings: CINEMA | 4/13/1959 | See Source »

This is hardly the stuff that cinematic dreams are made of. But Stevens and Scriptwriters Frances Goodrich and Albert Hackett (who also wrote the Broadway play) are far more concerned with the stuff that life is made of, and the courage and dignity that man can summon from within himself when the only logical course seems to be to lie down and die. From the moment the refugees enter their hideaway, and Papa Frank announces the painful conditions of their survival-no daytime movement, speech or even use of the w.c. -the cramped loft thrums with a threat as foreboding...

Author: /time Magazine | Title: Cinema: New Picture, Mar. 30, 1959 | 3/30/1959 | See Source »

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