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...movie is vividly atmospheric and fun from a musical perspective (especially if you, like Jett, love rock 'n' roll), but it can't escape the conventional clutches of the biopic formula. "Girls don't play electric guitar," a patronizing instructor tells Jett (Kristen Stewart, nicely punked out) in an early scene; she responds by plugging in, screeching out some notes and swearing at him. It's a bit of a letdown, an easy shorthand to explain the motivations driving Jett and her bandmates. The Runaways themselves may have been fresh and exciting, but with this scene, the movie tells...

Author: /time Magazine | Title: The Runaways: Band of Sisters | 3/29/2010 | See Source »

...need only listen to the band’s 1999 debut, “Calculating Infinity,” which was released before Puciato joined the group, to explore what TDEP would sound like without Puciato. Despite the occasional jazz guitar break, that genre classic is too relentless to invite end-to-end listens. Puciato’s versatility ensures that there’s no such problem with “Option Paralysis.” His diverse vocal styles encourage repeat listens in an attempt to discern the subtle differences...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: The Dillinger Escape Plan | 3/23/2010 | See Source »

...Chinese Whispers” shows, they’ve become quite adept at integrating melody into mathcore. Throughout the track, TDEP use mellow breaks to release the tension built up during their aggressive sections. For instance, about half-way through the song, Puciato begins to scream atop an angular guitar riff and steady drumbeat. Then, as Puciato’s screams grow more desperate, the drums charge into double-time. Catharsis comes as the band transitions into a steadier and more ethereal chorus...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: The Dillinger Escape Plan | 3/23/2010 | See Source »

...their preceding “Volume One,” Deschanel sings, composes, and plays banjo and piano while Ward contributes production, backup vocals, and guitar playing. But listening to their music, the group sounds a lot more “She” than “Him,” Deschanel’s sound and outlook dominate the tracks...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

...most other tracks from conveying diverse or interesting emotions. One gets the sense that she only writes abstractly about problems people might have, as opposed to her actual experiences. “Me and You,” a melancholy yet slightly upbeat song featuring poignant strings and steel guitar picking is one such example. It takes the song’s narrator out of the picture, and focuses on an abstract subject, with Deschanel urging, “You’ve got to be kind to yourself.” Coming from a movie star with a successful...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

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