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Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...young people are neglecting the blues? No. I think that the blues is in everything so it's not possible to neglect it. You hear somebody go "Ooh ooh oooh" and that's the blues. You hear a rock-'n'-roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues. It's more popular than it was because the blues is in everything...

Author: /time Magazine | Title: Jazz Musician Wynton Marsalis | 11/13/2009 | See Source »

...absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements. It's about "My baby left me." (See pictures of electric-guitar players...

Author: /time Magazine | Title: Jazz Musician Wynton Marsalis | 11/13/2009 | See Source »

...Sultan’s voice, empathetically harmonizing with “ooh-aah” and very simple lyrics about girl troubles. The lighthearted pop sound continues through to the second and title track. It ups the fun notch by incorporating tambourines, seagulls, a distorted, power-chord based guitar backbone behind a melodic, single-line riff, and lyrics addressed to, one can only assume, the mermaid on the album cover...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: The King Khan & BBQ Show | 11/13/2009 | See Source »

...album’s opening track, “Get Me Right,” begins with a single, insistent guitar riff and then proceeds to build with electronic synths, gunshot drums, and Carrabba’s voice nervously fluttering above the ruckus as he pleads. “I know you’ll get me right / Oh Jesus, I’ve fallen.” The song’s religious overtones do not quite fit with the remainder of the adolescent-themed album, but thrown listeners will feel right at home as the record then effortlessly...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

Unfortunately, what makes “Alter the Ending” an often dissatisfying listen is the uniformity of about half the album’s songwriting. Consisting of the same thick guitar lines, intense drumming, and vocal acrobatics of Carrabba’s wobbly tenor, the band’s newest efforts sound like weak facsimiles of “Hands Down” and “Vindicated.” The songs feebly retread old territory rather than covering new ground...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

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