Word: guitar
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Dates: during 2000-2009
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...this summer’s best. For a producer whose output has mostly focused on heavy, introspective beats, the ease with which Wilkinson creates slower, warmer melodies is impressive. While the found sound production aesthetic of his past work is still noticeable, the increased presence of electric guitar allows the structure of each track to catch hold. Filtered through a resonating old gramophone-type effect, the guitar acts sort of like sun glare, transfiguring the simple chord progressions and also making them perfect sleep music. “Lovers Carvings,” in particular, features ideally lustrous guitar work...
...song on White’s album deserves acclaim for some aspect or another, the title song warrants the greatest praise. Here, White truly perfects her style; the Simon and King influences are certainly present vocally, but the song is contemporary and even jazzy. The addition of the electric guitar on this track—most others feature acoustic or piano—gives the necessary 2009 feel that persists as the album continues. Over the course of this one song, White reminds her listeners that although she may be influenced by these illustrious artists...
...rock scene, each shifting tons of albums to a shared fan base. But there's no escaping the fact that their day jobs were never this straight-up. Like a well-deserved summer break, the album sees them do what they do best, showcasing screeching vocals and guitar against the unobtrusive, workmanlike backing of a rhythm section of keyboards, bass and drums. Almost all experimental fat is trimmed...
...nuptials and his hopes of persuading his daughter to do a Red Sox bridal-party outing.) Kerry isn't utterly changed, of course. He retains the sometimes aloof bearing that made him a hard sell to some voters in 2004. He still likes to slip away to play classical guitar. But he can also now acknowledge that he has learned from his mistakes. "I know what I'm doing, I guess," Kerry says. "There's nothing like having the experience [of running for President] under your belt to really understand the country and understand politics better...
...Uncharacteristically naked (her voice alone, not double- or triple-tracked) for a few syllables, Ford reprises the first chorus, giving each word double value, again asserting the lyric's wistfulness before revving for the finale. Her voice ascends - "How! High! The! Moon!" - and Les' guitar descends, ending as he began, with the rock riff and adding a puckish triple grace note. He and Ford get in and out of this 21-track mini-masterpiece in a breathless two minutes and four seconds...