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Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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...Miller's Prelude for Percussion, Lou Harrison's Canticle No. j, Arthur Cohn's Quotations in Percussion, Michael Colgrass' Three Brothers. The most interesting was the Harrison piece, which laid down a hauntingly languorous theme on the ocarina, then echoed itself in a series of guitar, xylophone and muted cowbell flights as vaporous and softly glowing as a Japanese watercolor. Cohn's Quotations, on the other hand, utilized 103 instruments (including the exposed strings of a grand piano, which one player walloped with a lamb's-wool-covered drumstick) to achieve frequent climaxes...

Author: /time Magazine | Title: Music: Variations on a Brake Drum | 3/30/1959 | See Source »

...guitar," said the instrument maker, "is yours. Take it with you through the world, and may your labors be fruitful." That was in Madrid in 1912, when the guitarist was young. Since then he has wandered the globe, playing with unparalleled passion and beauty. Last week, a vigorous 65, Andrés Segovia was celebrating his 50th season of concertizing. In Manhattan's Town Hall he demonstrated again the magic that he brings to the guitar, an instrument that, before Segovia's coming, was thought to be fit mostly for gypsies. "Segovia's guitar does not sound...

Author: /time Magazine | Title: Music: Master Magician | 3/23/1959 | See Source »

Part of Segovia's power over his audience derives from his single-minded devotion to the instrument he restored to concert-hall favor. "The guitar is as difficult as a hysterical woman," he says. "But I am faithful to her. I am not polygamous." Segovia still practices five hours each day, and for a month each summer he teaches classical guitar at the Accademia Musicale Chigiana in Siena, Italy. He also gives more concerts than ever (120 scheduled this year). Segovia generally avoids flashier-sounding pieces. "If people have even a little understanding," he says, "it is better...

Author: /time Magazine | Title: Music: Master Magician | 3/23/1959 | See Source »

Elmer Bernstein's music heightens the drama captured by the sensitive cameras of James Wong Howe, A.S.C. In addition, there are several jazz numbers by the Chico Hamilton quintet (plus guitar), a group whose modern arrangements lend a suitably syncopated rhythm. The screenplay, by Clifford Odets and Ernest Lehman (who wrote the book), is for the most part brilliant, capturing the lingo perfectly: "What am I? a bowl of fruit? a tangerine that peels itself?" Or: "Starting today, you could play marbles with his eyeballs." And the pace of director Alexander Mackendrick keeps up with that of the music...

Author: By Walter L. Goldfrank, | Title: The Sweet Smell of Success | 3/16/1959 | See Source »

...into new fields. Items: Ricordi is 1) exchanging its old, cramped print shop for a brand-new, concrete-and-glass plant on Milan's outskirts; 2) moving into the recording business; 3) continuing its forays into the pop field, having just launched an 18-year-old, blue-jeaned, guitar-whanging singer named Giorgio Gabor (no kin). Ricordi executives hope that Giorgio will turn out to be a prosciutto version of Presley...

Author: /time Magazine | Title: Music: House That Giovanni Built | 3/9/1959 | See Source »

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