Word: guernica
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Dates: during 1980-1980
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Picasso was 55 when he finished Guernica, and up to his 60th birthday or so he remained an artist worthy of comparison (if painters and writers can be compared) with Shakespeare. There was a similar range of feeling, from bawdry to tragedy, coupled with a rhetorical intensity of metaphor and a great depth of experience. After Guernica he could still paint very well: L'Aubade, in 1942, with its stark intimations of confinement and oppression, seems to distill the mood of occupied France. Some of his portraits of Dora Maar, Marie-Thérèse's successor as his mistress...
...work from Picasso's own estate, opens in Paris next year, it will not be able to make further loans of this magnitude; some 300 of its works have come to MOMA for the present show. Moreover, 1980 is likely to be the last year in which Guernica, lent to MOMA by Picasso in 1939, can be seen in the U.S. It will go to Spain, probably to the Prado in Madrid, in accordance with Picasso's wishes...
...great deal to Picasso, and he resorted to it at some of his intense moments?not only the death of Casagemas, but in the construction of Les Demoiselles d'Avignon (which began as an allegory of venereal disease, a subject of great interest to the energetic Pablo), of Guernica, and on into his "Mediterranean" subjects of the 1930s, with their bulls and horses, virgins and Minotaurs, caves, ruins and nymphs. Allegory was the conscious, intelligible form of Picasso's vast instinctive talent for metamorphosis, whereby a single form could harbor two or more literal meanings: a glass of absinthe including...
Picasso's climactic work of the '30s was Guernica, 1937. In its way it is a classicizing painting, not only in its friezelike effect, but also in its details. The only modern image in it is a light bulb; but for its presence, the mural would scarcely seem to belong in the world of Heinkel bombers and incendiary bombs. Yet its black, white and gray palette also suggests the documentary photo, while the texture of strokes on the horse's body is more like collaged newsprint than hair...
...fortune, he remained curiously indifferent to that nation's life struggles in two world wars and a depression. To the outside world, it seemed that the only external event that seared Picasso's imagination and conscience was the Spanish Civil War, the fratricidal bloodletting that inspired Guernica. A fervent supporter of the Republic against Franco, he contributed many paintings to raise funds for the war's victims...