Word: gris
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Good thing: half a mile offshore MacCready spotted a sinister shape that he took to be a large shark. By the last quarter-mile, Allen said, "my legs started to get useless." He had developed painful cramps, but pedaled on. Finally, as Cap Gris-Nez loomed, he said to himself: "Doggone, I'm going to make...
Pugliese, known within SCA circles as the knight Sir Patri Du Chat Gris, said, "Some people join SCA as an escape. For others, it's a way of coming into contact with other people who share an interest in the Middle Ages...
...live in Cornwall. The mild light of the peninsula, sometimes as crystalline as the Aegean, and its rolling, antique contours of moorland and coast, recur in hundreds of drawings and dozens of still-life and land scape paintings. Nicholson's favorite motif was that of the cubist Juan Gris: a view of objects on a table, vases, mugs, jugs, bowls, with a fragment of landscape seen through an open window behind, the two worlds - exterior and interior - compressed into a single overlapping image. Nothing is gratuitous, nothing fudged. The sharp pencil line - Blake's "hard and wirey line...
...show, which includes over 100 pieces, catalogs every step of Davis's career. Davis started out painting realism and moved quickly out of that stage under the influence of European post-Impressionists and cubists. Indeed the first two rooms of paintings strongly echo Picasso, Gris and Leger. Davis, as the chronology points out, was heavily involved in artists organizations, especially during the Depression, and campaigned for recognition of the political and social importance of art and artists. After the Depression, Davis developed some of his most important theories and settled into a style using brilliant colors, well-defined shapes...
...year-old tyro from Philadelphia, he exhibited in the Armory Show in 1913; and he outlived Jackson Pollock by eight years. His early model was cubism-though he did not visit Paris until 1928-and the sight of Davis grappling with the diction of Picasso and Gris, working his way through the lessons with the persistence of a man taking a correspondence course, remains very moving. For a whole year, he painted and repainted an eggbeater, a rubber glove and an electric fan. His Eggbeater No. 4, 1927-28, with its cool interlocking planes of methodically laid color...