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Punch & Power. Peter Grimes is more than a new opera; for the Met it is a new kind of opera. Dissonance has been heard in the Met's hallowed halls before-in Strauss's Elektra and Salome. Bernard Rogers' The Warrior, which was flashed on & off last...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

All this work in progress would culminate this week in the Met's first new opera of the year. The new work is Benjamin Britten's Peter Grimes, and no opera written since the days of Puccini has had so much advance praise.

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

The composer himself, who at 34 looks like an overworked undergraduate, will not be in the audience when the Met's gold curtains part this week. He will be off on a concert tour of Italy and Holland. A shy fellow, but sure of himself, Britten wasn't...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

Grimes opened his hand with "for my money, the commercial rink owners are the only boys to be trusted." Brown's backing of amateur athletics to create a demand for his Garden is an obvious, accountable motive, in the opinion of the columnist, when compared to Brundage's picayune bickering...

Author: NO WRITER ATTRIBUTED | Title: Egg in Your Beer | 2/13/1948 | See Source »

Reached last night, sports columnists Jerry Nason of the Boston Globe and Bill Grimes of the Record stated that their pens are cocked for Garrison, Brown, and the A.H.A. As for Garrison, Nason dubbed him the victim of being "too darn nice." His move to ease the minds of his...

Author: NO WRITER ATTRIBUTED | Title: Egg in Your Beer | 2/13/1948 | See Source »

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