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To the Met's foreign-born conductors, Britten's English idiom was new, at first forbidding and finally fascinating. Said white-haired, Russian-born Conductor Emil Cooper, who will conduct the first performance of Grimes: "For 40 years I am a conductor, but I do not know English...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

But the real challenge for the Met, with its stable of posturing actors who sometimes make opera more gross than grand, would be to project the power and punch Composer Britten has packed into his Peter Grimes. One top Met official admitted: "If it flops, it'll be our...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

In rehearsal for the London première of Peter Grimes, Composer Britten was all over the stage, his enthusiasm overcoming his shyness, begging his singers to act their parts instead of grimacing and posturing. There were few in the Met's cast who didn't realize what...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

Crude but Sympathetic. Peter Grimes is no conventional operatic hero. Britten found him in a poem written by Parson Poet George Crabbe (1754-1832) and added a few hints of Freud. Crabbe's Grimes was an uncouth and unsympathetic ruffian; to Britten and Librettist Montagu Slater he is still...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

As soon as the curtain is up (there is no overture), it is clear that Peter Grimes, although he has committed no crime, is as doomed as a character in a Kafka novel. The opera opens with Peter facing an inquest-indeed a trial-in the village hall. He has...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

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