Word: greengrass
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Green Zone, reteaming Damon with Paul Greengrass, his director in the last two, very popular Jason Bourne films, earned just $14.5 million in its first three days at North American theaters, according to early studio estimates. That's way below industry predictions (in the low- to middle-$20 millions) and less than a quarter of the $62 million amassed this weekend by the defending champ, Alice in Wonderland, which has leapt like a White Rabbit past the $200 million mark in just 10 days. The Tim Burton-Johnny Depp effort is also a war movie, at least partly, but with...
Universal, the studio that produced Green Zone, had smelled something bad for more than a year. Greengrass and Damon shot their picture during the last few months of the Bush Administration. Then, writes Anne Thompson on her IndieWire blog, the studio's co-chairmen, Marc Shmuger and David Linde, "pushed back the Green Zone postproduction and release to allow Greengrass to find the film - and an ending - in the editing room." The movie's budget was at least $130 million, plus another $100 million or so to bring to market, and is unlikely to return even half that...
...both the fan base (for diverting from the sacred text) and the agnostic mass audience (for being a confusing, unsatisfying movie experience). Snyder - who had a big hit two years ago with 300, and who took Watchmen on after interesting auteurs from Terry Gilliam in the '80s to Paul Greengrass a few years ago fell out - went with the fan base. He worked from a script written in 2001 by David Hayter, and filigreed by Alex Tse, that was as close to the original as a movie could be. The best and worst thing to say about the Watchmen film...
...major touchstone is Paul Greengrass's Bourne Ultimatum, surely the most influential action film of the decade. Quantum appropriates Bourne's tilt-a-whirl camera and ADD editing, not to mention the vigorous skirmishes on roofs, in cars and hotel rooms. But the big similarity is in the two films' heroes. James Bond and Jason Bourne are both company spies whom their governments want dead, and both are coping with their girlfriends' violent deaths...
...Paul Greengrass also made United 93, one of the few movies to be made about 9/11. Yeah, that was a big thing for me. United 93's a great example of a story that is so difficult to translate for an audience that already comes in with their own preconceived ideas of how the events occurred...