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Underground Economist. The Théophraste Renaudot Prize went to David Rousset, for his L'Univers Concentrationnaire, a graphic, harrowing description of life in Nazi concentration camps in France. Rousset was a diligent researcher in TIME'S Paris Bureau before the war. After the occupation, he adopted the somewhat more exciting work of organizing anti-Nazi groups inside the German Army. A spy got into Rousset's organization and all the Germans were executed, but the Gestapo could not find evidence linking Rousset with the plot; he got off with a year and a half in five...
Nobody said anything. Since Giese was doing all this for free he just let it go at that, picked up his Speed Graphic, and left...
...News, with Hearst's Mirror and Bernarr Macfadden's now defunct Graphic, was the ribald historian of the flapper-speakeasy-whoopee '20s. They competed in a pell-mell rush to give Manhattan gum-chewers the lowdown on Fatty Arbuckle, Peaches Browning, Arnold Rothstein, Kip Rhinelander. The grisliest news-picture of the era-Murderess Ruth Snyder in Sing Sing's electric chair-was run by Patterson's personal order...
...obligation seriously. The Administration had bungled and boggled the food problem, had failed to solve it at home as well as failed to relieve it abroad. The U.S. press, cheering victory and peace, had not succeeded in giving its readers-it had not tried very hard to give-the graphic picture of the hunger that stalked the world...
...great and truly glorious thing" in helping to fight it to the end, World War III would be "someone else's war" (an Anglo-Russian war he suggests), and none of our business. Only a few pages in Top Secret lack an argumentative tone-notably a graphic chapter of Ingersoll's own D-day experiences on Utah Beach and beyond. The rest is largely impressions of and reactions to British motives and bad manners, pointed up with notes on high headquarters life and praise for General Omar N. Bradley...