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...truth of the matter seems to be that human beings--even those with breasts and vaginas--often expect a great deal more from life than any series of relationships with other human beings can be reasonably expected to provide. The nationally reknowned German graphic artist Kaethe Kollwitz once wrote...

Author: By Laurel Siebert, | Title: To Love And To Work | 11/15/1974 | See Source »

Carpenter Center is presenting an exciting show of current poster-type art, which they call "Graphic Design, a Kinetic Presentation of Contemporary Trends." It's a continuously showing 1 and 1/2 hour long slide show, open Tues.-Sat. from 1-6, until Nov. 27 in the main exhibition hall...

Author: By Kathy Garrett, | Title: GALLERIES | 11/14/1974 | See Source »

Finally, a reminder. The Goya show at the Museum of Fine Arts is the finest show of graphic work in this area since the similar one the MFA presented on Durer three years ago. I'll discuss it more thoroughly next week, but if you get a chance this weekend, go see it. It is outstanding...

Author: By Kathy Garrett, | Title: GALLERIES | 11/14/1974 | See Source »

...passing perturbation but in reality represents a permanent change. If we examine the major graphic curves that are drawn for the future by the phenomena of our time, you see that all of these curves lead to catastrophe. During the next few years we will thus see a kind of decline of Europe, while other countries will be on the upswing. In a certain way it is their revenge against 19th century Europe [and its colonial dominance...

Author: /time Magazine | Title: FRANCE: And Now, Concertation | 11/4/1974 | See Source »

...outdone, the Museum of Fine Arts tonight opens "The Changing Image: Prints by Francisco Goya." Goya, perhaps the outstanding artist of the late 18th and early 19th centuries, was both a painter and excellent graphic artist. Many of his prints--especially those from the end of his career--exhibit a strange kind of ghoulish melancholy over the state of human life. This show takes Goya's etchings and, using loans from Europe and the United States and the museum's own collection, traces the changes he made as each print advanced from state to state. They exhibit as many...

Author: By Kathy Garrett, | Title: GALLERIES | 10/24/1974 | See Source »

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