Word: graphically
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...moving with the sheer inevitability of a musical composition. Dallas Roberts' Son makes each word into a plaintive wail. Even when the character lapses into humor (at one point even mimicking stand up comedy), the humor's forced nature hints at more shocks to come. The subject matter is graphic and serious business...
...suits conduct business, it's the pitch meeting, where high-concept ideas (think Die Hard meets Sense and Sensibility) get tossed about, directors' names are freely floated, and stars are vaguely said to be "attached." Into this fantasy factory stepped Foster--who previously worked as a furniture maker, a graphic designer and a vice president at Excite.com before striking out on his own and founding Dreamtime this year...
What Joe and Sammy cannot elude is the postwar era. With graphic comic-book imagery, Chabon writes that the classic superhero "had fallen beneath the whirling thresher blades of changing tastes." By the '50s, Kavalier and Clay are not only old hat but also targets of a congressional committee investigating the effects of comic books on children. Then, like Jerry Siegel and Joe Shuster, the real-life team that begat Superman, Chabon's fictional duo lose the rights to their character in a dispute with cutthroat publishers. Screwing the talent is an old story, but never before told with...
Around the turn of the last century, Friedrich Nietzsche killed God and replaced him with the Ubermensch, or superman. In the graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon; 380 pages; $27.50), Chicago cartoonist Chris Ware goes Nietzsche one better. He replaces God with Superman, the caped hero, who becomes a God/father metaphor to the emotionally crippled title character. Then Ware kills Superman too--or at least a man in a Superman suit, who, in a single bound, leaps to his death from a tall building in a scene, witnessed by Jimmy, that sets the tale's poignant...
...will change the way you look at your world. Ware captures landscapes made to flatten emotion--a clinic shrouded in snow, a sterile apartment complex--and yet shows the reader the meaning and even beauty in every glimpse from a highway, every snippet of small talk. His is a graphic version of the anomie found in a Raymond Carver short story, with a social-historic sweep and unexpected, if fleeting, grace notes. And that may be this melancholy book's uplifting message: even in the most emotionally barren settings, there is still something not to deaden us but to make...