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...EMMET GOWIN in his family portraits does not look to characterize a specific family, but rather to characterize the sprawl and variety of family life. Figures at both ends of the frame are cut off and those within are arranged haphazardly. Each is involved in his own world, not the photographer's. A baby near the foreground is blurred by motion; most of the others seem lost in contemplation and stare blankly in different directions. Yet there is a unity: the paradoxical combination of wide diversity of attention and easy physical proximity, make the photograph an unmistakeable account...

Author: By Sam Pillsbury, | Title: The State Of The Art | 3/10/1975 | See Source »

...confused reflection of a confused world was and is effective, but as the world changes, so must its art. In their very essence snapshots are temporary, only flashes of civilization, which feels constantly undermined by the rapidity of change. Still, certain commitments never change. Photographers will always share Emmet Gowin's commitment to visual truth: "For me, problem is always to find the shape of the gesture, the feeling of space, a light, which holds again a sense of touching reality...

Author: By Sam Pillsbury, | Title: The State Of The Art | 3/10/1975 | See Source »

Drought Relief. In Adel, Iowa, when city officials ordered local tavern operators not to sell him beer, Ivan Gowin sued the city for $25,000 because he had been unable to relieve his "exhausted and dehydrated condition...

Author: /time Magazine | Title: Miscellany, Nov. 9, 1953 | 11/9/1953 | See Source »

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