Word: george
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...anticlimax. Much has been expected of Polke. He is one of the two painters--the other being Anselm Kiefer--who rose to the top of the enormously promoted pack of "new" German artists in the 1980s and remained there when others dropped away or became, like Georg Baselitz, with his crude upside-down figures, formulaic bores...
...suggest overhauling Shakespeare's work to rid it of statements like Hamlet's "Frailty, thy name is woman" or his responding to Ophelia's "Tis brief, my lord" with "As woman's love." After all, to err is human. GEORG SCHWARZMANN Augsburg, Germany...
...financial difficulties during his lifetime and the initial lack of interest, very few of Wols's vintage prints exist. Those that are extant are often water-damaged or scratched. Because of the scarcity of originals, most of the prints displayed were made by photographic historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have had the freedom...
...financial difficulties during his lifetime and the initial lack of interest, very few of Wols's vintage prints exist. Those that are extant are often water-damaged or scratched. Because of the scarcity of originals, most of the prints displayed were made by photographic historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have had the freedom...
...financial difficulties during his lifetime and the initial lack of interest, very few of Wols's vintage prints exist. Those that are extant are often water-damaged or scratched. Because of the scarcity of originals, most of the prints displayed were made by photographic historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have had the freedom...