Word: gentileschi
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Dates: during 1970-1979
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...idea of a feminine sensibility-fluffy, vaporous, pink-and-white-retreats before most of the work in this show, the sense of female experience does not. That theme is announced almost at once, in the work of Artemisia Gentileschi (1593-1652), the daughter of a well-known Tuscan painter, who became, as Nochlin puts it, "the first woman in the history of Western art to make a significant and undeniably important contribution to the art of her time." Gentileschi's Susanna and the Elders (1610) is a work of staggering precocity, painted when she was 17. Beauty spied...
...there are some small ways to escape into a world more harmonious than Cambridge, or a time less threatening than Reading Period. Upstairs at the Fogg, Orazio Gentileschi's Madonna With the Sleeping Christ Child (a recent acquisition) shines with that inexplicable inner light of Caravaggio, Gentileschi's master. And in a small back gallery on the first floor of the museum the Heinz Gotze Exhibit of Japanese Art exemplifies the peculiarly Oriental process of passing from the seen to the unseen. The paintings and calligraphy make a pictorial poetry which Ezra Pound described as "the ideal language...
...different interpretations of the biblical legend of Joseph and Potiphar's wife (one of the greatest stories ever told) by Roman followers of Caravaggio. One of those two paintings is of special interest because it was done by one of the few women artists of the day, Artemesia Gentileschi. Gentileschi--the victim of a scandalous rape--knew full well that no man is entirely pure, and shows Joseph during a moment of hesitation before rejecting Ms. Potiphar's advances...
Caravaggio's sense of theater furnished a host of imitators with a fresh vocabulary. The Caravaggisti were not a closely knit group or even a specially gifted one-though they included some painters of undeniable power, like Orazio Gentileschi. They assiduously imitated Caravaggio's chiaroscuro. The manner spread to France and The Netherlands. Georges de La Tour's candlelit night pieces, for instance, sprang from it, and Hendrick Terbrugghen used it with distinction. But his influence stimulated no great painters in Rome, for, by then, there were none left to stimulate. The grand vindication came later, when...